Archive for July 28, 2014

The Reconstruction and Archaeoastronomy of a Hopewell Hilltop Earthwork in Ohio

 

by

Richard D. Moats

Overview:

The Salisbury brothers authored a paper in 1862 describing several sites in Ohio. One of the sites they described was an “Ancient Symbolic Earth Works” in Northern Perry County. The paper included a narrative and plot map of a hill top earthwork and three associated features.  They were precise in their linear measurements, angles of intersection, and vertical heights.  They also described five structures with flat tops which they termed “platforms” and another as an open “C” shaped structure (Salisbury and Salisbury 1862).  Warren K. Moorehead published a short article describing the site and named it “Frank Yost’s Mounds” after the landowner.  The only significant additional information he provided was finding ash in what he termed the “bird effigy” located inside a large circular enclosure. He did not address other large geometric features suggesting some destruction of the site had occurred (Moorehead 1896).   Moorehead’s report did not contain the aggregate detail or descriptions of the entire structure as described in the Salisbury document. This indicates that erosion and intentional agricultural destruction began in the latter half of the 19th century.  Until recently, the large circle with the internal crescent and the small mound nearby are the only features known to exist into modern times. It is apparent the site had been a very complex Hopewell earthwork with features unlike any other known Hopewell site but has been nearly completely destroyed.

This paper encompasses the rediscovery of lost features, and digital reconstruction of the site. I will show how the site integrates distant terrestrial features and offer my research into the purpose of this three dimensional geometric structure. I will demonstrate how construction and spatial orientation of the structure provided alignments with celestial body rise and set points. I will describe the visual illusions created by solar and lunar rises and settings in relation to the earthwork and a long distance feature.

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Anomalous DNA in the Cherokee

The third chapter of Donald Yates’ history of the Cherokee (Old World Roots of the Cherokee, McFarland 2012) contains the genetic story of the Cherokee Indians based on DNA Consultants’ 2009 study “Anomalous Mitochondrial DNA in the Cherokee,” but it is no easy read, being written for an academic audience.

Earlier this year Yates published a condensation of his work in the series Cherokee Chapbooks, called Old Souls in a New World:  The Secret History of the Cherokee Indians (Panther’s Lodge). This publication has no footnotes, bibliography or pictures; those must be sought in Old World Roots and scholarly articles Yates has written over the years. But the new chapbook is affordable, quick to read and no less groundbreaking and authentic in its research.

Here, from Old Souls in a New World, is the amazing story of Elvis Presley’s DNA, Indian traders and their Cherokee brides on the Southeastern frontier, haplogroup X, Egyptian T, Berber U, Jewish J and the personal stories of a selection from the fifty-two subjects who blew the lid off Native American studies with their proof of ancient Middle Eastern and Jewish lineages.

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Ancient Inscriptions in Montana

by, Warren W. Dexter   Originally published in Ancient American Magazine – Issue #54.

 

 

An unusual site is located just West of Writing on Stone Provencal Park, in Alberta. There, the Milk River starts at the eastern edge of Glacier National Park, in Montana, then flows north across the Canadian border, traveling parallel to the border before it returns to the U.S., joining the Missouri River in Eastern Montana.

 

 

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Semiotic Relationships and Rock Art Sites

home.comcast.net/~carlbjork

 

By Carl A. Bjork

 

 

If we are to debate or discuss, or to develop a general theory about the symbols and possible semiotic relationships found at rock art sites, we must delineate and set boundaries on the definition or meaning of rock-art. I will use “rock art” to describe what is commonly called petroglyphs and pictographs, carvings and paintings found on rock faces, in grottos and caves, cliffs, or any other geological formation. A rock art site would be a geographical location where one would find a geological formation containing rock art. Within my simplistic definition, rock art site could be a single, rock art-covered boulder in a meadow or a narrow sandstone canyon with hundreds of paintings.

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