Dear Colleague, Rob Hyde and I have published our “study volume” of the Tucson Artifacts. This collection of plates, texts and translations brings to general scholarly notice solid archeological and literary proof of Old World influences and settlements in pre-Columbian America. It is available to
Signed book above is available directly from the author. For more information in acquiring the dvd and joining the California Rock Art Foundation click here or to purchase at The Bradshaw Foundation click here Alan P. Garfinkel, Ph.D. Principal Archaeologist UltraSystems Environmental firstname.lastname@example.org email@example.com Founder and Director California
Donald J. McMahon Symbologist/Researcher The seafarer was born, sailed the oceans, and generated symbols as a testament to the journeys undertaken. The seafarer connected the star dots. The god was the sun, and the goddess was Venus, and every eight years they unite. They
Revised and Updated: By Alan P. Garfinkel, Ph.D. December 2014 Originally published in: North American Archaeologist, Spring 2007 Edition Alan P. Garfinkel, Ph.D. Principal Archaeologist UltraSystems Environmental firstname.lastname@example.org email@example.com Founder and Director California Rock Art Foundation http://www.californiarockart.org http://www.dralangarfinkel.com ABSTRACT One
by, William Olivadoti In general, a work, by an amateur, which attempts to show parallels and similarities between distant and diverse cultures, in both time and space, culminating in which appear to be evidentiary clues in both archival and geographic form, which could be postulated to
by Richard D. Moats Overview: The Salisbury brothers authored a paper in 1862 describing several archaeological sites in Ohio. One was an “Ancient Symbolic Earth Works” in Northern Perry County. The paper included a narrative and plot map of a hill top earthwork and
By Carl Bjork At a crime scene, the investigator will always ask the question, “who” perpetrated the offense. And, to answer the question you must discover the “why.” What is the motivation; is it cultural or survival, or perhaps the dictates of the mores of
Article sent to us via http://atlanteangardens.blogspot.com/2014/09/underground-city-in-grand-canyon-was.html http://atlanteangardens.blogspot.com Published originally Sunday, September 7, 2014 Underground City In The Grand Canyon Was Documented In 1909 ARIZONA GAZETTE, MONDAY, APRIL 5, 1909 The latest news of the progress of the explorations of what is now regarded by scientists
What would it take to unseat the belief that Columbus discovered America and the New World had no visitors or colonists before 1492? DNA evidence? Archeological evidence? Literary evidence? Historical accounts? All proofs but DNA are present in the so-called Tucson Crosses, and the moment
Admixture in Pima Includes Greek and Sardinian: Genetic Signature of the Minoans, Sea Peoples and Other Mediterranean Peoples in the Southwest?
Summary The Pima Indians and their southern cousins the Papago have been studied intensely by ethnologists and others. They are often represented as definitive specimens of the “Amerind” ethnic type. Genetic surveys feature them front and center. Their creation story has been codified in the
By, Harry Bourne firstname.lastname@example.org Did They? In a series of papers, it has been my intention to attempt to demonstrate that our ancestors were rather more in maritime contact across the world than is generally accepted, especially in academic circles. These papers tend to concentrate
By Harry Bourne email@example.com FROM BEYOND THE WDJ-WR A long history lies behind attributing the sources of Pre-Dynastic Egypt of Before Common Era (= BCE [= as opposed to CE/AD]) to beyond what Egypt called the Wdj-wr (= Great Green = [all?] seas adjacent to
Red Man’s Origin: The Legendary Story of His Rise and Fall, His Victories and Defeats and the Prophecy of His Future
Summary In the world of Native Americans, oral communication takes the place of the written word in preserving their most valued “texts.” By a miracle of transmission, here is the earliest and most complete version of the story of the Cherokee people, from their origins
by, Harry Bourne, firstname.lastname@example.org PHOENICIANS Beginning this article feeds into something that has long taken my attention. This is the maritime history western parts or Atlantic-facing Europe but most especially that of the maritime Celts. However, on looking for information about what was happening
“The Hopis’ Elder White Brother” (chapter from Old Souls in a New World, by Donald N. Yates, Panther’s Lodge Publishers, 2013) Summary Ever since publication of The Book of the Hopi in the 1960s the legends of the Hopi Indians of Arizona have been central to any discussion
Expanded Chapter from Yates’ Old Souls in a New World © Donald N. Yates 2005-2015 Old Souls in a New World, by Donald N. Yates Published September 2013 by Panther’s Lodge Cherokee Chapbooks #7 104 pp. What if the history of America’s largest
By, Art Burnett Howdy, One year into what should have been a full life time of work. Discovery started with Summer Solstice Sunset 2014 morphed into realization that Meadow Mountain Coke Coke County was an ancient religious center. One out growth of that was finding
EAST AFRICANS & ANCIENT NAVIGATION by Harry Bourne email@example.com Why It Could Not Be In a series of papers, this writer has proposed that our ancestors were very much more in touch by sea than is usually accepted by most maritime historians. Doubts about
WEST AFRICANS & NAVIGATION by Harry Bourne firstname.lastname@example.org CANOES & NAVIGATION: Oliphantes to Ogowe This is to be seen as a companion piece for “East Africans & Navigation” that in turn is one of a series of papers discussing aspects of whether Africans
Hi Friends– Regarding: the so-called “fantasy isle” of Frisland on the Zeno Map of 1380: Prince Henry Sinclair’s legacy as a New World voyager, savior of 4,000 stranded Greenland farmers, and pirate-fighter has been held hostage by doctrinaire historians who have claimed that the Zeno
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Rob Hyde and I have published our “study volume” of the Tucson Artifacts. This collection of plates, texts and translations brings to general scholarly notice solid archeological and literary proof of Old World influences and settlements in pre-Columbian America. It is available to preview or order only by special invitation and by going to this link:
You can purchase a softcover print edition of the book from Blurb for $18.75 or pdf download for $9.99. In the meantime.
Here is the preface from the Blurb study edition so you can read about the background of this publication:
Now that nearly a hundred years have passed since the so-called Tucson Crosses or Silverbell Artifacts were excavated in the compacted soil of the Santa Cruz river valley outside Tucson, Arizona in the years between 1924 and 1930, it seems appropriate to tell the real story of their meaning for Southwest archeology and indeed world history. There are thirty-five cast lead artifacts, counting double crosses as two and pieces of swords or spears that join to form one. Only one is not lead, the Theodore memorial shaped from native caliche that constitutes artifact no. 2.
All form part of the 1994 bequest to the Arizona Historical Society Museum, Southern Division by Thomas W. Bent, Jr., where they are split between display cases in the lobby and the vault.
The crosses and related objects, including two nehushtans, were made by the lost-wax process from lead, a favored medium for lasting memorials in antiquity and valuable by-product from the gold-silver-and-copper mining carried on by various foreign visitors in Arizona. They are covered with medieval Latin and square Hebrew inscriptions that provide a record of a military colony of Roman, Frankish and British Jews who conquered the Toltec fortress city of Rhoda we now know as Tumamoc Hill overlooking Tucson, an ancient and important trading and mining site among the Hohokam Indians. The founders called their new realm Calalus (“Wasteland” in Hebrew) and it lasted from 780 until 900, when it was destroyed by earthquakes, and the king returned with a large part of his followers to Mexico. At this crossroads of civilizations in ninth century West Mexico we also detect Chinese seal script, Hindu cult objects, Mesoamerican glyphs, images of Jewish and Christian temples, Celtic ogam inscriptions and what might be called “pre-Templar” symbols.
On March 11-14, 2015, with the assistance of Laraine Daly Jones and Doreen Crowe, we were able to take formal studio shots of the entire accession catalogued as 94.26.1AB-32. A record of that photo session is compiled in this private publication with the hope that such a collection of plates paired with matching inventory notes will aide us in preparation of a scholarly monograph on the Calalus Artifacts, as well as be of possible use to the owner institution, people of Arizona and public at large.
Robert C. Hyde and Donald N. Yates
March 1, 2016
Rob and I are now engaged in the following three-volume project.
Forthcoming from Panther’s Lodge Publishers:
Forbidden History: A Jewish Kingdom in Toltec Mexico, 780-900
Vol. 1: The Latin Texts
Vol. 2: Analysis and Interpretation
Vol. 3: Appendices, Bibliography and Index
By Robert C. Hyde and Donald N. Yates
Published by Panther’s Lodge Publishers
We look forward to hearing any feedback from you and encourage you to pass this email on to interested persons.
Donald N. Yates, Ph.D.
P.O. Box 2477
Longmont, CO 80502
Signed book above is available directly from the author. For more information in acquiring the dvd and joining the California Rock Art Foundation click here or to purchase at The Bradshaw Foundation click here
Alan P. Garfinkel, Ph.D.
Founder and Director
California Rock Art Foundation
By: Alan P. Garfinkel and J. Kenneth Pringle
Alan P. Garfinkel Ph.D., Principal Archaeologist, UltraSystem Environmental, email@example.com
- Kenneth Pringle, formerly with the China Lake Naval Weapons Station Ridgecrest, California. Co-author of Rock Drawings of the Coso Range, Maturango Museum Monograph Publication 4, 1968
Identification and analysis of a series of corner-notched and basal notched projectile point images and those rendered in association with human and animal-human supernatural figures are located in the Coso Range of eastern California. These images when considered in detail appear to date to the period when Elko and Humboldt Series points were in use. Two direct, experimental XRF dates made directly on two of the images support this determination.
The XRF dates provide a mean age of 2,750 plus or minus 700 calendar years before present for these images (and also provide an indirect basis for dating the other similar figures). The dates provide a general age range for these corner notched and basal notched point depictions. The age is consistent with the well documented and radiocarbon supported ages for Elko Series dart points and Humboldt Basal Notched thrusting spears, knives and dart points.
Therefore we believe those dart point depictions and XRF dates place the Coso projectile point drawings during a range of time from about 2000 BC to AD 1. The latter age range is synchronous with the a period of dart and atlatl use and is coterminous with the earliest accepted dates for the initiation of Rose Spring Series arrow points (ca. AD 1).
Also some surprising new observations associate the feminine gender with at least two of the projectile point petroglyph images. Both figures are either animal-human or human hunter (shamanistic?) depictions. Alternative suggestions are included for understanding this apparent paradoxical relationship of male weaponry with the feminine gender.
The depiction of realistic renderings of projectile point forms is an unusual feature at a handful of prehistoric rock art sites in the United States. This rare occurrence has only been documented at a few archeological sites in North America (Callahan 2003; Keyser and Klassen 2001; Riggs 2001; Sutherland and Steed 1974; Thomas and Thomas 1972).
Campbell Grant and his associates initially recognized a number of such projectile point petroglyphs within the Coso Range rock art tradition (Grant et al. 1968:37). The authors mention them briefly and only devote a single paragraph within their 147 page monograph. However, even after mentioning them and providing pen and ink sketches of these elements and figures they did not attempt to date them. Neither did they comment on the character of the figures or their possible meaning and function of the images of the projectile points themselves.
For this study, we relocated many of the Grant et al. projectile point sites, discovered some new ones and attempted to correlate the most common corner-notched and basal notched forms with temporally diagnostic (time sensitive) southwestern Great Basin point styles to help date these specific petroglyphs (Figure 1). This study was limited to the area within the confines of the China Lake Naval Air Weapons Station and the glyphs at Little Lake. Other examples of Coso Style petroglyphs are known outside that area including those in the El Paso Mountains, Panamint Mountains, Argus Range and north of the base at Centennial Springs. Those other areas were not included in this research.
Figure 1. Location of Coso Style rock art area
Donald J. McMahon
The seafarer was born, sailed the oceans, and generated symbols as a testament to the journeys undertaken. The seafarer connected the star dots. The god was the sun, and the goddess was Venus, and every eight years they unite. They shared equal attention by the ancient civilizations.
Water flowed and five thousand years ago people determined that they could navigate the waters to explore the earth. Celestial guidance was developed with symbolic representation. The seafarers were interested in sailing on the waters and staying on islands, noting the safety the islands provided. Out of land sight, new lands and islands were discovered by the seafarers, and they needed a way to preserve their findings, that is, locations. Symbols were created to record the calendar and navigation aspects of the seafarer’s explorations.
Realities needed to be expressed. Pictograms, or glyphs, were etched on stones and represented an object, a single symbol. Combining the symbols led to further expressions of reality. What was below were locations, latitudes and longitudes. What was above were celestial bodies. Connecting the stars forming various shapes with well-defined angles generated patterns, i.e., maps. Astronomy was created for calendars and then for navigation.
Before 5000 BCE, seafarers were sailing to Ireland, and by 3200 BCE symbols were being etched on stones in Ireland. To reach Ireland, sailing was required. There, also, is evidence that seafarers reached North America by 3000 BCE.
The seafarers left symbols for those who came later to understand why they went to Ireland. By taking a seafarer’s perspective, the Irish symbols were decoded. Taking a seafaring view, the reality behind the symbols is understood. Many of these navigation symbols are found in North America with the same meaning.
The following seafaring questions were a theme throughout the book, Reference 1:
A Seafarer’s Perspective
Where am I? Customer’s Location, Latitude and Longitude
Where am I going? Trading Locations, Latitude and Longitude
Why am I going? Gold and Copper
How will I get there? Celestial Navigation by Boat
How long will it take? One Sailing Season, a Planting Season, and a Return Season
Will I, or someone, return? Yes, need Symbols/Logbooks
These questions all require counting, measuring of angles and the creation of symbols.
Two basic trips were discovered and decoded: the RK Trip for copper to North America returning through Ireland and the Harp Trip to Ireland. The RK Trip for copper to North America started in the Isle of Meroe on the Nile River and went to the Isle Royale in Northern Michigan. The Harp Trips for gold also began on the Nile River and went to Ireland. These trips were significant events evolving as the seafarers sailed west and were painted in the pharaoh’s pyramids. The trips were frequently taken based on the number of times the trips were painted on the Nile River Dynasty’s stone structures. One should realize that these trips were initially taken hundreds of years before the pyramids were built.
Symbols were created to record these significant trips for gold and copper. The following summarizes the decoded navigation symbols.
Navigation: Megalithic maps for key locations in Ireland
A summary of decoded map kerbstones in Ireland is shown in Figure 1, where the kerbstones surround a map of Ireland. Spirals were a symbol for a safe harbor.
Figure 1: Summary of symbols from key kerbstones in Ireland
These kerbstones, Reference 4, are maps of harbors (spirals), storage facilities, mining locations (cup marks) and metal ruler’s locations (concentric circles within ovals, cartouches) in Ireland. The upper-right stone found at Knockmany, Reference 5, shows the Barnenez Mound in northwest Brittany. There are symbol connections to other megalithic locations on the west coast of Europe. The diamonds represent the sun-shadow latitudes based on the Winter Solstice sunrise angles of these locations. The zigzags represent counting for trip days between locations.
Maps in Locations Close to Ireland
Figure 2: Summary of symbols from key stones from megalithic sites close to Ireland
Figure 2 shows key map stones from harbors next to Ireland. Going clockwise, we have the spiral harbor map of Wales, the concentric semicircle map of the Brittany harbors, the grid map showing the path through the Strait of Gibraltar and then to the Azores Islands, the river map of the west coast of the Iberian Peninsula and the spiral harbor maps of Ireland. The stacked diamonds on the Brittany Coast Map relate to decreasing sun-shadow latitudes for the selected locations. The right column of navigation symbols is found in Mound A at Barnenez and has symbols for a global map, the horns of Venus, the Northern Cross with the Summer (navigation) Triangle, the symbol for sea travel and a feather for truth. These stones at locations near to Ireland relate to navigation and the storage and processing of metals as part of the trade routes.
Revised and Updated:
By Alan P. Garfinkel, Ph.D.
Originally published in: North American Archaeologist, Spring 2007 Edition
Alan P. Garfinkel, Ph.D.
Founder and Director
California Rock Art Foundation
One of the more spectacular expressions of prehistoric rock art in all of the Western Hemisphere is the petroglyph concentration in the Coso Range of eastern California. These glyphs have played a prominent role in attempts to understand forager religious iconography. Four decades ago, Heizer and Baumhoff (1962) concluded that Great Basin petroglyphs were associated with hunting large game and were intended to supernaturally increase success in the hunt. Similarly, in their seminal work Grant et al. (1968) concluded that the desert bighorn sheep drawings of the Coso Region bolstered the “hunting magic” hypothesis.
However, this hunting magic hypothesis has become increasingly marginalized by a prevailing view that considers most rock art as a nearly exclusive, expression of individualistic shamanistic endeavor.1 This paper explores comparative ethnologic and archaeological evidence supporting the hunting magic hypothesis.
I place this explanatory framework in a fuller context based on a contemporary understanding of comparative hunter-gather religion and the complexity of forager symbolism. The paper argues that the preponderance of Coso images are conventionalized iconography associated with a sheep cult ceremonial complex. This model is not entirely inconsistent with models interpreting the Coso drawings as metaphoric images correlated with individual shamanic vision quests. A synthetic framework applying both models is suggested.
Four decades ago, Heizer and Baumhoff 2 concluded that Great Basin petroglyphs were associated with the hunting of large game. This “hunting magic” hypothesis was based on the distribution of rock art sites found along game migration trails. The researchers posited that the primary animal being hunted was the bighorn sheep. In their work on the Coso Range drawings, Grant et al.3 concluded that the realistic sheep drawings bolstered that hypothesis (Figure 1).
Yet over the years the hunting magic model has not fared well. At best, this interpretation has lost “traction” and is currently classified as an “out-of-favor” theory4. The hypothesis has become increasingly marginalized by researchers worldwide5 and has been replaced by a prevailing view that most rock art is a nearly exclusive expression of shamanism6.
Any concept that purports to account for all, or even most rock art of a given style or motif, I would argue, is inherently suspect. One would expect to find that different sets of environmental, cosmological, religious, artistic, and social factors influenced the creation of rock art at various times and places. Nevertheless, the manner in which hunting magic has been specifically framed does not provide a clear and full picture of the context and implications of that particularly important model. Such treatment minimizes the role that ritual and symbolism plays in animistic hunter-gatherer societies7. It also implies a rather monolithic notion of the eclectic manifestations of ritual behavior identifying them under a singular and somewhat ambiguous term of “shamanism” 8.
Figure 1. Location of Coso Range rock drawings. The largest petroglyph concentrations are located within the named canyons identified on the map. Boundary of the China Lake Naval Air Weapons Station and location of the station within the state of California is depicted on the inset map. The concentrations of Coso rock art are found excusively on the North Rase. The North and South Range of the China Lake Installation makes up an area containing over 1 million acres.
by, William Olivadoti
In general, a work, by an amateur, which attempts to show parallels and similarities between distant and diverse cultures, in both time and space, culminating in which appear to be evidentiary clues in both archival and geographic form, which could be postulated to possibly substantiate those connections of cultures. In particular, a pattern of anomalies in a certain area in the Adirondack Mountains surrounding Pharaoh Mountain within a radius of 3 miles and a second similar pattern within a radius of 25 miles.
The amateur writer endeavors to present aspects of discoveries of anomalous lakes and ponds therein, which appear to reflect similar mathematical patterns throughout, with the hope that others would search and find further anomalies analogous to those in the book. A history of several diverse cultures are presented, including Native American and ancient Mediterranean.
The author was born and raised 12 miles from Pharoah Mt. and 7 miles from the nearest water anomaly. He traveled the local mountains extensively in his youth and heard many stories handed down to his grandmother and relatives concerning Native American legends and myths.
The author presents the sum of those archives, traditions and geographical anomalies for the curiosity and thought-stimulation of the reader. The book contains aerial and satellite photographs of lakes and ponds which can be taken, upon viewing, appearing to be arrowhead-shaped, ship-shaped, animal-shaped and other. Five tabular data sections present the mathematical and other numerical attributes associated with up to 16, 18, 56, 60 lakes and ponds, resp., 18 of which are close to Pharaoh Mountain. Petroglyphs and rock anomalies in the nearby mountains are also displayed in the work.
Title: Ships of the Giants?
166+ photos and pictures color mostly
21 maps color mostly
The book comes in either paperback $49.99 + $5 shipping or hardcover $59.99 + $5 shipping.
author: William C. Olivadoti
[The author has no training nor experience in archaeology.]
by Richard D. Moats
The Salisbury brothers authored a paper in 1862 describing several archaeological sites in Ohio. One was an “Ancient Symbolic Earth Works” in Northern Perry County. The paper included a narrative and plot map of a hill top earthwork and three associated features. They recorded linear measurements, angles of intersection, and mound elevations. They described five structures with flat tops which they termed “platforms” and another as an open “C” shaped structure (Salisbury and Salisbury 1862). State Archaeologist Warren K. Moorehead published a short article in 1896 describing the site naming it “Frank Yost’s Mounds” after the landowner. The only significant information he added to the Salisbury paper was finding ash in what he termed the “bird effigy” located inside a large circular enclosure. (Moorehead 1896).
Moorhead’s report did not contain the detail or descriptions of the entire structure as described in the Salisbury document. This indicates erosion and intentional agricultural destruction began in the latter half of the 19th century. Until recently, the large circle with an internal crescent and a small nearby mound are the only features known to exist into modern times. It is obvious the site was a large geometric earthwork similar to other Hopewell sites in Ohio. However, some features and therefore functions are unlike any other known Hopewell site, making this a very unique and important site.
This paper encompasses the rediscovery of lost features, digital reconstruction of the site, and investigation into its functions. I will show how the site integrates distant terrestrial features and offer my research into the purpose of this three dimensional geometric earthwork. I will demonstrate how precise construction and spatial orientation of the structure provided alignments with celestial body rise and set points. I will describe the visual illusions created by celestial body rises and settings in relation to the earthwork and a distant terrestrial feature. I will also suggest hypothesizes for the cognitive precursors for these Native Americans to construct such an elaborate structure.
The geographic center of the site, 33Pe5 in the Ohio Site Registry, known today as the “Yost Works”, is located on a hill top at coordinates 35°54’02”N x 82°20’31”W in Northern Perry County, Ohio. To the south of site center is an intact large circular enclosure and a small nearby mound both covered by trees and brush. Inside the enclosure on the south interior perimeter is an earthen crescent with a central “bulge” which, when viewed from above resembles an effigy of a spread wing bird. Until recently, these are the only features of the geometric structure known to have survived. Construction of an accurate site plot map began with entering the linear measurements generated by the Salisbury’s into a Computer Aided Design Program, (CAD). Scale and orientation needed to be verified before an accurate reconstruction could be completed. Dr. William F. Romain provided aerial LiDAR, images of the site. LiDAR is an acronym for Light Detection and Ranging. By filtering the digital LiDAR data in bare earth mode, foliage was eliminated and subtle terrain elevations were delineated. (2008a, 2008b. Romain and Burks).
Figure 1 LiDAR image revealing earthwork features. Image by W. F. Romain, Interpretation, R. Moats
By Carl Bjork
At a crime scene, the investigator will always ask the question, “who” perpetrated the offense. And, to answer the question you must discover the “why.” What is the motivation; is it cultural or survival, or perhaps the dictates of the mores of the people? When we discover a crime scene; is there a “crime” committed, what or who has decided that an offense or violation took place? Was the evil deed the results of an action by a male or a female? Have we forgotten in our patriarchal world of today that there are females? Did females carve and paint petroglyphs and pictographs? The answer is, yes!
To understand the role of the female or the male and their “authority” to carve the rocks and paint the symbols in the caves, we will have to discover their role in the society that they live. Do “all” members of the society share equal authority; can each person regardless of social status carve the rocks? The answer is, no!
History as we know it, or more correctly, how a history has been taught to us and what we believe history to be because of our life education, we will never know the real answer. It is problematic to know the truth, so-called “rock art” is not a written language using an alphabet or any other system of symbols to create words that are orally and verbally spoken. There are no tomes of written knowledge; hieroglyphs may come close because we find it carved and painted on walls in ancient temples and tombs, not that far distance from what we find in many locations throughout the world. Many petroglyphs in the State of Nevada easily match carvings found on ancient walls along the Nile River.
Where do we find the answer, do we trust the archeologist even though we can use science to date the site where the rock art is located, is there a valid connection between the dating of the organics in the soil and the carvings? Did the carvings come first from an ancient time and the use of the site at a later date, or did the site activity come first and the carvings were a part of the use of the site? Both answers are no doubt correct. That is the answer that I received over the past forty or so years that I have asked the question, “who and why” at the site and location of the rock-art. What was the motivation, the same question an investigator asks at the scene of a crime?
You will discover the answer regarding the debate for what gender was carving and painting the petroglyphs and paintings within the indigenous community. Even today petroglyphs are carved by those given the authority and taught by the elders. Within the Northern Paiute community of the Great Basin area of the western United States there are members of the tribal group that have been selected and given the “authority.” Many given the authority are female. It is a special honor to be selected for the authority, and the teachings of the sacred medicine knowledge.
Cupules, the small round-shaped dimpled petroglyphs (25-38 mm in diameter) are only created by females. When cupules are in spatial relationship with a rock art site, the site location is “female” and usually the males within the indigenous community are forbidden from visiting the site or knowing of the sacred female knowledge. At “male” sites it is also forbidden for females to visit; even on death if those without the authority enter a site. Most rock art sites are off-limits to those without the authority in the community. Even today, sacredness and knowledge are closely guarded by those in position of power and leadership. Many societies throughout the world are considered “matriarchal” as are the Hopi and Dine’ (Navajo) Tribes. The grandmother elders are highly respected and honored…the keepers of the traditional knowledge.
Article sent to us via http://atlanteangardens.blogspot.com/2014/09/underground-city-in-grand-canyon-was.html
Published originally Sunday, September 7, 2014
Underground City In The Grand Canyon Was Documented In 1909
A Thorough Investigation
Under the direction of professor S.A. Jordan, the Smithsonian Institute is now prosecuting the most thorough explorations, which will be continued until the last link in the chain has been forged. Nearly a mile underground, about 1480 feet below the surface, the long main passage has been delved into, to find another mammoth chamber from which radiates scores of passageways, like the spokes of a wheel. Several hundred rooms have been discovered, reached by passageways running from the main passage, one of them having been explored for 854 feet and another 634 feet.
Mr. Kinkaids Report
Mr. Kinkaid was the first white child born in Idaho and has been an explorer and hunter all his life. Thirty years having been in the service of the Smithsonian Institute. Even briefly recounted, his history sounds fabulous, almost grotesque.
“First, I would impress that the cavern is almost inaccessible. The entrance is almost 1486 feet down a shear canyon wall. It is located on government land and no visitor will be allowed there under penalty of trespass. The scientists wish to work unmolested, without fear of the archaeological discoveries being disturbed by curio or relic hunters. A trip there would be fruitless and the visitor would be sent on his way.
The story of how I found the cavern: I was journeying down the Colorado river in a boat, alone, looking for mineral. Some forty two miles up the river from El Tovar Crystal canyon, I saw on the east wall, stains in the sedimentary formation about 2000 feet above the river bed. There was no trail to this point, but I finally reached it with great difficulty. Above a shelf, which hid it from view of the river, was the mouth of the cave. There are steps leading from this entrance some thirty yards from what was at the time the cavern was inhabited, the level of the river. When I saw the chisel marks on the wall inside the entrance, I became interested, secured my gun and went in. During that trip I went back several hundred feet along the main passage, till I came to the main crypt in which I discovered the mummies.
One of these I stood up and photographed by flashlight. I gathered a number of relics, which I carried down the Colorado to Yuma, from whence I shipped them to Washington with details of the discovery. Following this, the explorations were undertaken”.
“The main passageway is about 12 feet wide, narrowing to 9 feet toward the farther end. About 57 feet from the entrance, the first passages branch off to the right and left, along which, on both sides, are a number of rooms about the size of ordinary living rooms of today, though some are 30 to 40 feet square.
These are entered by oval shaped doors and are ventilated by round air spaces through the walls into the passages. The walls are about 3 feet 6 inches in thickness. The passages are chiseled or hewn as straight as could be laid out by any engineer. The ceilings of many of the rooms converge to a center. The side passages near the entrance run at a sharp angle from the main hall, but toward the rear they gradually reach a right angle in direction”.
“Over a hundred feet from the entrance is a cross-hall, several hundred feet long, in which was found the idol, or image, of the peoples god, sitting cross-legged, with a Lotus flower or Lily in each hand. The cast of the face and the carving shows a skillful hand, and the entire is remarkably well preserved, as is everything in this cavern. The idol most resembles Buddha, though the scientists are not certain as to what religious worship it represents. Taking into consideration everything found thus far, it is possible that the worship most resembles the ancient people of Thibet. Surrounding this idol are smaller images, some beautiful in form, other crooked necked and distorted shapes, symbolical, probably, of good and evil. There are two large cacti with protruding arms, one on each side of the dais on which the god squats. All this is carved out of hard rock resembling marble.
In the opposite corner of this cross-hall were found tools of all descriptions, made of copper. This people undoubtedly knew the lost art of hardening this metal, which has been sought by chemists for centuries without result. On a bench running around the workroom was some charcoal and other material probably used in the process. There is also slag and stuff similar to matte, showing that these ancient peoples smelted ores, but so far, no trace of where of how this was done has been discovered, nor the origin of the ore. Among other finds are vases or urns and cups of copper and gold made very artistic in design. The pottery work includes enameled ware and glazed vessels.
Another passageway leads to granaries such as are found in the Oriental temples. They contain seeds of various kinds. One very large storehouse has not been entered, as it is twelve feet high and can be reached only from above. Two copper hooks extend on the edge, (continued on page 7) which indicates that some sort of ladder was attached. These granaries are rounded and the materials of which they are constructed, I think, is a very hard cement. A grey metal is also found in this cavern which puzzles the scientists, for it’s identity has not been established. It resembles platinum. Strewn promiscuously over the floor everywhere are what people call “Cats eyes” or “Tiger eyes”, a yellow stone of no great value. Each one is engraved with a head of a Malay type.”
“On all the urns, on the walls over the doorways and tablets of stone which were found by the image are mysterious hieroglyphics, the key to which the Smithsonian Institution hopes yet to discover. These writings resemble those found on the rocks about this valley. The engraving on the tablets probably has something to do with the religion of the people, Similar hieroglyphics have been found in the peninsula of Yucatan, but these are not found in the Orient. Some believe that these cave dwellers built the old canals in the Salt River valley. Among the pictorial writings only two animals are found. One is of prehistoric type”.
“The tomb or crypt in which the mummies are found is one of the largest of the chambers, the walls slanting back at an angle of about 35 degrees. One these are tiers of mummies, each one occupying a separate hewn shelf. At the head of each is a small bench on which is found copper cups and pieces of broken swords. Some of the mummies are covered with clay and all are wrapped in a bark fabric. The urns or cups on the lower tiers are crude, while as the higher shelves are reached, the urns are finer in design showing an inter-stage of civilization. It is worthy of note that all the mummies examined so far have proved to be male, no children or females being buried here. This leads to the belief that this interior section was the warriors barracks.
Among the discoveries no bones of animals have been found, no skins, no clothing nor bedding. Many of the rooms are bare but for the water vessels. One room, about 400 by 700 feet, was probably the main dining hall for cooking utensils are found here. What these people lived on is a problem, though it is presumed that they came south for the winter and farmed in the valleys, going back north in the summer. Upwards of 50,000 people could have lived in the cavern comfortably.
One theory is that the present Indian tribe found in Arizona are descendants of the serfs or slaves of the people which inhabited the cave. Undoubtedly a good many thousands of years before the Christian era a people lived here which reached a high state of civilization. The chronology of human history is full of gaps. Prof. Jordan is much enthused over the discoveries and believes that the find will prove of incalculable value in archaeological work.
One thing I have spoken of may be of interest. There is one chamber the passageways to which is not ventilated and when we approach it a deadly, snaky smell struck us. Our lights would not penetrate the gloom and until stronger ones are available, we will not know what the chamber contains. Some say snakes, but others boo-hoo this idea and think that it may contain a deadly gas or chemicals used by the ancients. No sounds are heard, but it smells just the same.
The whole underground institution gives one of shaky nerves the creeps. The gloom is like a weight on ones shoulders and our flashlights and candles only make the darkness blacker. Imagination can revel in conjectures and ungodly day-dreams back through the ages that have elapsed till the mind reels dizzily in space.
An Indian Legend
In connection with this story, it is notable that among the Hopis the tradition is told that their ancestors once lived in an underworld in the Grand Canyon till dissension arose between the good and the bad, the people of one heart, the people of two hearts. (Manchoto) who was their chief, counselled them to leave the underworld, but there was no way out. The chief then caused a tree to grow up and pierce the roof of the underworld and then the people of one heart climbed out. They tarried by Palsiaval (Red River), which is the Colorado, and grew grain and corn. They sent out a message to the temple of the sun, asking the blessing of peace, good will and rain for the people of one heart. That messenger never returned but, today at the Hopi village, at sundown can be seen the old men of the tribe out on the housetops gazing towards the sun, looking for the messenger. When he returns, their land and ancient dwelling place will be restored to them. That is the tradition.
Among the engravings of animals in the cave is seen a image of a heart over the spot where it is located. The legend was learned by W.E. Rollins, the artist, during a year spent with the Hopi Indians. There are two theories of the origin of the Egyptians. One is that they came from Asia: another is that the racial cradle was in the upper Nile region. Heeren, an Egyptologist, believed in the Indian origin of the Egyptians. The discoveries in the Grand Canyon may throw further light on human evolution and prehistoric ages.”
The Smithsonian Says they have no record of this happening and stories of a massive cover up have be around since the story made print in 1909. I guess one must pose the question as to why this finding must be suppressed for over 100 years. Perhaps solid proof of things that proved lies in the history of our word, or a alien base kept hidden for who knows how long before it’s discovery in 1909. In a world that fears solid proof more each day, we man never know.
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Thank you very much Mr. Wooten
What would it take to unseat the belief that Columbus discovered America and the New World had no visitors or colonists before 1492? DNA evidence? Archeological evidence? Literary evidence? Historical accounts? All proofs but DNA are present in the so-called Tucson Crosses, and the moment everyone was waiting for occurred on December 13, 1925, when New Yorkers opened their Sunday morning newspaper and read a cover story about the Jewish and Christian settlement in Arizona that began in 775 and lasted until 900. The controversy has raged ever since. Most believe the Tucson Crosses are fakes. But they are kept in a public repository today at the Arizona Historical Society Museum in Tucson and you can go view them and judge for yourself.
Could a Roman-style site lie under modern Tucson? Could the 9th-century Roman Jewish lead ceremonial crosses, swords and spears called the Tucson artifacts have washed down the Santa Cruz to their 1924 find location on Silverbell Road in a mudslide with the well-documented cataclysmic earthquake of 895?
Tucson Crosses and Quetzalcoatl
SPECIAL to ANCIENT AMERICA
By Donald N. Yates
In 1924, Charles Manier and his father stopped by a limekiln on Silverbell Road in Tucson, Arizona on a weekend drive. While investigating the ruins, Mr. Manier noticed a large piece of metal sticking out of the ground. This discovery would lead to one of the greatest archeological controversies in the twentieth century—a pre-Columbian Roman-Jewish colony with ties to the Toltecs and possibly, their empire in Tollan, Mexico.
The following newspaper article summarizes a lecture presented by Mrs. Laura Ostrander, a local historian, consultant and transcriptionist of Latin, who was integrally involved in the discoveries between 1924 and 1925. Mrs. Ostrander came highly recommended by Dr. Clifton J. Sarle, professor of geology at the University of Arizona, who worked on the original excavations with Charles Manier and his partner, Thomas W. Bent.
New York Times headline about the “relics” made a splash around the world.
Admixture in Pima Includes Greek and Sardinian: Genetic Signature of the Minoans, Sea Peoples and Other Mediterranean Peoples in the Southwest?